Tuesday, February 27, 2018

Not Your Daddy's Undead! (Possibly Your Great-great-great-granddaddy's Undead!)


by G Dean Manuel


Have you noticed that only some undead beasts are ever represented in any meaningful way? Vampires, of course. You can't spit without hitting someone writing a vampire story. Zombies are popular. But what about variety? Shouldn't we see more undead than the few that are represented on the big screen or the pages of a book? Here are a few that I think we should give a resurgence to:




  • Banshee- the wailing woman. A banshee's keening denotes the death of a family member. Several banshees keening foretells the death of someone particularly important or holy. A banshee's wailing can also warn that death is likely from a current endeavor.

    Why are these creatures feared? They warn us against bad happenings. Now modern retellings say that hearing a banshee's keening leads to death. Older tales don't support this. Banshees, while called fairy, banshee literally meaning “woman of the fairy mound”, are not technically fairies. They are the ghosts of women who have: a.) died in childbirth b.) have been murdered. Some banshees have been known to attach themselves to family lines, particularly those of Milesian stock (those whose names begin with O' or Mac'). Here are some ideas for stories with banshees:

    You have never seen your family banshee in such a state. Something has made it go absolutely bonkers. It didn't even act this way when Gran died.

    You are visited nightly by a woman that looks upon you sadly and wails such a heartbreaking tune. You know that she is trying to warn you about something but you can't for the life of you figure out what.

    You must gather up the sisters for a most hated duty. The Bishop has died. You and your sisters must keen his lament. But one refuses to go. A dark secret is revealed.




  • Dullahan- is a headless horseman! And you thought it was just a story by Washington Irving. Dullahans are members of the Unseelie Court. In fact, they were created by the court. They are either human or fey sacrifice. Heads are lopped off by golden ax and through rituals turned into a Dullahan. Such creatures typically ride a black horse and are followed by a wagon filled with accouterments of death. Their heads are said to be the consistency and color of moldy cheese and bear a ghastly, idiotic grin from one side to the other. They hold them under one arm, with mouths constantly working and eyes continually searching the night.

    It is said that there is no way to bar a road against a Dullahan and wherever a Dullahan stops, someone will die. Usually, they stop and say a person's name and that person drops dead on the spot. Here are some story ideas that include Dullahan:

    What if a Dullahan kills a person only to find out it killed the wrong person? Crazy antics ensue as they try to rectify their mistake!

    An opportunistic mage is using a Dullahan as an unwitting assassin. Altering its assignments and giving it names of people that he would like dead.

    A woman is visited by a Dullahan. She breaks down and tears and thanks him. He doesn't know what to do.


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  • Lich- A lich is a creature of such indomitable will that its life continued on to undeath. A lich can be almost anyone in life but is normally a person of arcane power. Sorcerers and warlocks. Through arcane rituals or demonic deals, they beat death itself and live on as a lich. Liches are commonly seen as commanders of hordes of undead minions. As such they make a great antagonist for stories! What are some ideas?


    A young man finds a broach in an open-aired market while on a trip to Dubai. He intends to give it to his girlfriend as a gift. Unknown to him, it is actually a lich's phylactery (a receptacle for the lich's lifeforce). The lich will stop at nothing to recover the phylactery.

    Does a lich always have to be mad? I say no. A family suffers from a terrifying curse that is passed upon the death of one cursed to the youngest living relative. To stop the curse, one member becomes a lich, so that there is no true death.

    An ancient evil arises in the land and the only person with information needed to stop the creature is the man who was around the last time he was here but he may be just as evil as it. The MC must deal with a lich to find out how to defeat the ancient evil.




  • Wights- or revenant. Or a host of other creatures. From the draugir of Norse mythology to the barrow wights of the English myths, these are creatures of fascinating legends and dark curses. A wight is a creature brought back from death to fulfill some action. Be that to guard a barrow or tomb, to hunt down a murderer, etc... These creatures are undead killing machines. Don't get these confused with ghouls or other undead, that hunt humans for sustenance. Wights don't require sustenance. They are driven by an unholy need to fulfill their goal. They have wide and varied looks, but most are the desiccated corpse of once living, reanimated flesh. Barrow-wights might come with old armor and weapons. Here are some story ideas:

    Using the revenant aspect, the returned, the undead returns to seek vengeance upon those who killed it and its son.

    A barrow wight guards the tomb of its once-beloved lord through eternity. Can bonds of duty and love hold against the inexorable trudge of time?




  • Black Dog- Legends of black dogs originated in the British Isles. These dogs are described as spectral or demonic, larger than a normal dog, and having glowing eyes. They are almost always thought of as harbingers of death, even when they are thought of benevolently. This could be due to the fact that dogs have been seen as guardians of the Underworld for some time. Look at the different depictions of dog-like beings in such a position: Anubis(Egyptian), Gramr(Norse), and Cerberus(Greek. Sometimes they are associated with the Devil.


    You can find them in a modern day setting on Supernatural, where they are called either black dogs or hellhounds. Here they work directly for Hell and come to collect souls from those who have made demon deals. In this instance, they are invisible unless you are being hunted or you have magical means with which to view them.

    You can find them in literature in The Hound of the Baskervilles. Spoilers ahead. Now, while the hound in question was not a black dog, Doyle made use of the legend in the setting up of the murder.

    So, what can we do to revitalize the black dog?

    Well, you could use a black dog in a humorous way. They were known as familiars to witches and warlocks. What if a young witch had a pony-sized black dog as her familiar? Called him Fluffy?

    How about black dogs as part of an Underworld Spirit Retrieval Unit? That could be fun.They track down rogue spirits that have found ways to escape the Underworld and seek to bring them back into custody.

    What about a black dog as a central figure? What if, for the purpose of the storyline, is the spirit of a dog that died after some form of torment or abuse. The black dog is sent to collect the soul of someone who it once knew. One of its abusers. But when there, it sees the abuser's son who had been its only friend on the mortal plane. Decides to befriend the boy and break the cycle that got it trapped into an eternity of collecting souls for the Underworld.


Are there undead that you think should be on this list? Leave a comment and tell me and maybe I'll write them up in a future article!

Thursday, February 22, 2018

Creating an Indie Book Trailer, Part One

by T G Campbell


Time and time again, I’ve heard comments along the line of “being a successful independent author is 10% writing and 90% marketing”. It’s true that, as independents, the responsibility of getting our books, short stories, poems et cetera in front of the people who matter—the readers—is completely our own. Often, we have non-existent—if not very limited—financial budgets, and time restrictions which have tremendous impacts on our marketing potential. Consequentially, there’s a temptation to go “cheap but cheerful” in our marketing material. We assume—rightly or wrongly—our audience will forgive the lower quality on account of us being independents. Being without the backing of a giant publishing house, or even a reputable agent, we feel like it’s us against the world, and so rely on this rebel-like image as an excuse if something goes wrong. I say this because I’ve been guilty of doing the same in the past.


When it came to creating an original trailer for my Bow Street Society book series, I started by looking at existing trailers in my genre. I found trailers by authors belonging to the big five publishing houses. Naturally, these were big budget, movie-like epics which left the viewer breathless and wanting more. They were slick, impressive, but also looked very expensive. Nonetheless, I emailed a production company listed as a producer on a YouTube book trailer. The trailer featured locations, characters, and book set in the same era as my own—Victorian London. All I requested from the company was a quote regarding the cost of hiring them to create a book trailer for me. I didn’t receive a reply. I can’t prove their lack of response was due to the fact I’d told them I was an independent author, but the rebel in me said this was probably the case.


Never mind. I returned to the other book trailers I’d bookmarked on YouTube, and watched them for the tenth time. With the exception of two or three, the majority were of PowerPoint slideshows depicting stock images and/or stock music. The fonts were difficult to read and/or inappropriate for the book’s genre, e.g. Comic Sans, and the music was also ill-fitting. I understood why the creator had done what they’d done though: PowerPoint is cheap. In comparison to filming original content, having professional photographs taken, and a composer create an original music score, the resources used were cheap, too. We’re back to the issue of low budgets and/or time restrictions, again. Unfortunately, the end product looked—at least in my humble opinion—“cheap and cheerful”. It didn’t compel me to buy the book, or even visit the website.


All becomes the same cookies over and over again!
There’s also another pitfall to be considered when using stock images and/or stock film: anyone can use them. While there’s certainly a valid argument for using stock resources (they’re cheap, and it’s what you do with them that counts), you’re still running the risk of having the same content as 500 other authors. This was the main reason why I chose not to use stock images, film, and/or music in my trailer.


I also chose not to use PowerPoint. Like everyone else, I have budget and time restrictions on my marketing plans. Yet, I don’t want those to be an excuse for producing a poor quality trailer. I wasn’t going to allow them to convince me to hire someone else to produce a poor quality trailer, either. Yes, I’m an independent author and, yes, I don’t have the backing of one of the big five publishing houses. None of those things mean I can’t produce a high quality trailer though. In fact, it was those things—and the lack of response from the production company—which gave me the determination to create something that could rival the trailers of the traditionally published authors.


At the point of writing this article, I’ve created a storyboard and script for my trailer. I’ve also found a hugely talented composer who’s willing to create an original music score, for free, in exchange for exposure. In addition to this, I have an artist on board, a chosen location for the live-action segments, and a decent quotation for high-quality costumes. There’s still a long way to go but I know I’ll get there in the end.


For now, though, I want to share my journey. Undoubtedly, there’ll be independent authors reading this who are thinking of creating a book trailer. I hope that by sharing the obstacles I’ve encountered/will encounter, and the ways of overcoming them, I’ll prove you don’t need Spielberg budgets to create blockbuster book trailers.


Next time: CREATING AN INDIE BOOK TRAILER Part Two: The Power of Networking



T G Campbell is a crime novelist that resides in Modern Day England, though she'd probably wanted to have lived in Victorian London. She is best known for her Bowstreet Society mysteries. You can find out more about T G here.


Tuesday, February 20, 2018

10 Things That May Inspire You!

by G Dean Manuel



  1. Altered Carbon- This Netflix original TV series has so much to offer. It hits you with a well thought out future setting, an interesting premise, and some great acting.

  2.                                                                 
  3. The Magicians-This is a TV show on SyFy. It is currently in its third season. If you haven't watched it, it is the kind of on your nose Contemporary Fantasy that I like. About a group of young magicians that go to a college for magicians and find a portal to another world they thought was make believe. It is based on the series of books by Raymond Feist.

  4.                                                                 



  5. This video by Lindsey Stirling. I love Lindsey Stirling and this video is inspirational in its cinemetography.

  6.                                                                 

  7. This picture. It gives a real dreamy and steampunk feel!


  8. The Life of Mad Jack. A man who fought his way through WWII with a claymore and bow and arrows. Only recorded bow kills during the war.
  9.                                                                 

  10. Casablanca- This movie is amazing! I didn't think I would like it but it won me over easily. If you haven't seen it, do it. Like now, I'll wait.
  11.                                                                 

  12. Axolotl-These animals are amazing. They are Wolverine in nature. They can go as far as regenerate their spinal cords!


  13. This picture:of a small square world consisting of a little island with a lighthouse.


  14. Redshirts by John ScalziThis book is hilarious! If you have never read and enjoy shows like Star Trek, this book is a great parody!

  15.                                                                 

  16. Dirty Streets of Heaven by Tad WilliamsThis is the type of contemporary fantasy that I like! Unapologetic characters that I can relate to that aren't paragons of virtue but rather drinking, smoking, breathing men and angels that are tempted to do bad things.

  17.                                                                 

Thursday, February 15, 2018

Rejection Journey update

by G Dean Manuel


It has been a couple weeks since my first post (here if you would like to compare). Since that post, I have been a busy little writer. Well, poet, at least. My current stats are:



  • Stories submitted: 13



  • Stories accepted: 4



  • Stories rejected: 12



  • Stories currently in submission: 4


Just to clarify, if the numbers aren't adding up for you, I forgot a story I submitted through email. The publisher contacted me to tell me I was accepted and I was super happy I didn't publish it elsewhere. That is why keeping my chart up-to-date is a must!


Now on the poetry side, things get a little busier:



  • Poems submitted: 35



  • Poems accepted: 3



  • Poems rejected: 11



  • Poems currently in submission: 25(!)
    Look at all that blue!!!


Minor change: Ballad of the Night Nurses was accepted by Quail Bell Magazine. Big change: I submitted over 25 poems to several different publications!


For anyone reading this that has trouble submitting, anyone that is plagued with doubts about their abilities, I don't share this to brag. I share this so you can take heart! I pause over the submit button for agonizing seconds before taking the leap. Every. Single. Time. But I do it. I press the button. You can, too!


My four stories that have been accepted are: “Bounty:Greed”(Gathering Storm Magazine, released), “Grandfather” (Heart of the Child anthology, released on March 24th, 2018), “King's Road” (Unsheathed anthology, release date TBA), and “Laundry Knights” (The Fairytale Collection: The Knight's Sky).


My three poems that have been accepted are: “Blind to See” (The Literary Yard, here), Dream Machinations (The Literary Yard, here), and Ballad of the Night Nurses (Quail Bell Magazine, release TBA).


I definitely feel less confident over my poetic side.


But I will keep submitting. I may not have the same power or technique that Shakespeare, Angelou, Frost, or Burns have but I am me. There is someone out there that my words will touch and I hope that I hear back from them.


Tuesday, February 13, 2018

Beyond the Writing

By Kimberly Jay



Almost one year ago, I embarked on the journey to become a published author. Having had plenty of experience in writing, I believed this next progression in my career would be a cake walk. I happily got to it and approximately six months later, I had a ‘finished’ product. 


I was so naïve. 


Early on, I decided against traditionally publishing, however, I was oblivious to the work required for self-publishing. I believed completing my book was the end goal; to some degree, it was- after all, you can’t publish something that isn’t finished- BUT, there is so much more to becoming a ‘published author’ than writing the last word of your book. 

As I was making through the writing process, several people told me I would need to take a month or more away from my book, before I could successfully complete any type of self-editing. I smiled politely, reminding myself that these well-meaning people didn’t know me and confidently ‘knew’ this would not be my fate.

Yet, by the time I typed ‘the end’, I had zero desire to open the document I’d poured my heart into for so many months. I sent an email to the few people who had agreed to read my book in its rough state and then I sat back and waited. I didn’t do anything related to my book, because I was confident in my writing ability and believed my circle of supporters (or some other type of book promotion fairy) would propel my book onto the best seller lists. My book was so good, I was sure it would be it would sell itself.

If everyone is giving you the same advice, you should probably pay it some attention…

Perhaps, I had a bit of a hard head, because I didn’t take heed to any of the ‘well-intended’ advice I was given. When my beta readers came back with questions, I thought they didn’t get my writing; they weren’t the readers I had originally thought them to be, and I didn’t really care about their questions or concerns-

This is of course until I revisited my beloved manuscript (nearly two months after closing the file). I was shocked at the amount of unfinished thoughts, run on sentences and missing pieces my book had. If you weren’t sure, the self-editing process is a humbling experience.


Listen to your Alpha/Beta Readers. They are only giving you information to make your book the best it can be…

There I was, going through my manuscript with a fine-tooth comb, still debating on the need to have a professional editor because I had written and edited for others, I thought I didn’t really need an outside source to provide me with that skillset. After a second run of editing, I realized how massive the task of editing your own work is and the decision to acquire an editor was solidified as a must have.

Save yourself some time and know that you will need an outside professional editor. As you are in the writing stages, think of what type of person you’d like to edit your book. Find this editor (he or she does exist) and begin to cultivate a relationship with them, so when it comes time for you to hand over your manuscript, you won’t be traumatized by trust issues. You will also want to secure a spot on your editor’s workload calendar, so you aren’t left waiting around for them to be able to review your work…

Writing and editing aren’t the only things you need to do to get your book into the hands of the masses- so don’t get comfortable! Remember that team of supporters you have? The people who have been encouraging you to write your story, telling you how great you are and filling your head with all kinds of whimsy about the measure of success you will gain because you are just that good? Well, those people aren’t going to sell your book. So, what are you going to do? Enter the tedious world of marketing…

Book marketing may seem generic, but how you implement the various marketing tools is what will make you stand out. There are so many different marketing strategies that it would be impossible to name them all, but here are a few I have found to have worked for me- using a Facebook Author page and creating genuine relationships with my fans/followers (it is more than a numbers/like game), creating a book trailer, doing a reading of an excerpt from my book, making a post card sized advertisement of my book (posted to several community boards and leaving bookmarks (about my book) on coffee shop counters, library check out counters and any other counter, where ‘my’ readers would be.

In terms of marketing your book, this is something you should start doing long before you finish writing your book- though it isn’t to late to start, so get to it! Don’t let marketing strategies stress you out, have some fun with it and like all things in life, don’t be afraid to make a mistake here and there…

Now that you’ve completed your rounds of self-edits, your alpha and beta readers have read your book and given it some stellar reviews and you’ve got your marketing road map- you’re all set to make your book available to the waiting public, right? Nope. Have you considered your book’s appearance? Whether you’re publishing only in e-book format or printed form or both, you’ll want an eye-catching cover. This is a service you can do yourself (there are any number of tools available online to aid you in this endeavor) or you may choose to hire this task out; the choice is yours and yours alone.

People judge most books by the covers, so make sure you put some time, effort and perhaps investment into yours…

Don’t get lost in the millions of books made available to the world each day- remember to stand out in the crowd, you’ll have to do some work beyond the writing! I’d love to hear your best practices beyond the writing! Leave a comment and let’s chat about it, shall we?

Kimberly Jay, also known as Kim, Specialk or Dvnmskm- depending on where you meet her- has been writing almost as long as she has been talking (which for those of you who don't know that's slightly less than half a century)! She enjoys writing across genres, preferring to let the creative juices flow instead of following the 'rules' of writing. She has held court with the Richmond City Council and Richmond City School Board, where here eloquent speeches have left many an onlooker rethinking and reevaluating their position the current topic at hand. Find out more about Kim here.

Thursday, February 8, 2018

Open Call for Submissions: 10 Places to Submit Short Stories!

By G Dean Manuel

  • Flame Tree Publishing: Artificial Intelligence & Lost Souls
Submit by: February 11th, 2018
Submission by: Email ( 2018@flametreepublishing.com )
Brief Overview: These are two separate anthologies: Artificial Intelligence and Lost Souls. Both entries in their Gothic Fantasy series. They want Gothic stories with a twist. You can find full information here.
Word Count: 2000-4000
Payment: $0.06/word
This is a SFWA qualifying market.

  • Electric Athenaeum
Submit by: February 15th, 2018
Submission by: Email ( electricathenaeum@gmail.com )
Brief Overview: Generation starships establishing new colonies. The Svalbard Global Seed Vault. Driving back the dark to protect your children. For this issue of Electric Athenaeum, we are seeking genre stories that focus on the issues surounding planning for future generations. We are particularly interested in stories featuring new visions/interpretations of generation starships, the care of fragile ecosystems, and dramatic explorations of balancing the rights of future generations versus the needs of the present. Find full guidelines here
Word Count: 3000-10000
Payment: 50 GBP/story
  • Uncanny Magazine: Disabled People Destroy Science Fiction
Submit by: February 28th, 2018
Submission by: Moksha online system
Brief Overview: They are looking for writers with disabilities. Find full submission guidelines here.
Word Count: 750-6000
Payment: $0.08/word
  • Sword & Sonnet
Submit by: March 1st, 2018
Submission by: Email ( swordsonnet@gmail.com )
Brief Overview: Stories featuring a woman or non-binary battle poet as a main character. Although we envision the bulk of the stories will be fantasy, we’re also open to science fiction or horror. We’re looking for lyrical shimmery stories, epic fantasy tales, and gritty poetpunk. Stories could feature secondary, historical or contemporary settings. Full submission guidelines here.
Word Count: 2000-5000
Payment: $0.06/word + 1 contributor copy
  • Litro Magazine: The Back of the Bus
Submit by: March 1st, 2018
Submission by: Submittable
Brief Overview: The back of the bus is where the cool, popular kids sit (not me, then); it’s the top of the social pecking order … but then there’s an older meaning, harking back to segregation … so what will this issue be? You show us. Full guidelines here.
Word Count: Up to 4000
Payment: None
  • Hex Gunslinger: Weird West Anthology
Submit by: March 1st, 2018
Submission by:Email (preferred) ( subs@radiantcrownpublishing.com )
                                      Green Submissions or HeyPublisher
Brief Overview: Hex Gunslinger is an upcoming anthology of speculative, mysterious, and romantic weird western tall tales! Framed as an unearthed secret library years after the civil war, each story should hold the ethos of western expansion beginning in 1803 with the Louisiana Purchase, and ending around the 1850s not necessarily restricted to a North American audience. Do not take manifest destiny as a mantra to live by. Shape a world with all the magic and mystery of the frontier without letting the ugliness of conquest be consumed with fantastic whimsy. We want wide open plains where violence ruled, underground movements brewing with tension, and the Wild Wild West in all it’s beauty and madness. Bring us your stories marking the age of the gold rush, injustice, genocide, mass immigration, transcontinental railroads, vigilante justice, telegraphs, outlaws, gunslingers, slick talkers, setting suns, and the impending civil war that would rip a nation apart. Full guidelines here.
Word Count: 1000-40000
Payment: $0.01/word
  • Corpus Press: 2018 Halloween Anthology
Submit by: March 30th, 2018
Submission by: Submittable
Brief Overview: A central theme associated with Halloween and can be characterized within the broad realm of “horror” fiction. Successful submissions will be highly original, well written and cleanly edited. Stories can be frightening, thought-provoking, atmospheric, humorous or satirical (or any combination thereof), but MUST contain a complete tale. Full submission guidelines here.
Word Count: 4500-8500
Payment: $0.03/word + 2 contributor copies
  • Arachne Press: An Outbreak of Peace
Submit by March 31st, 2018:
Submission by: Submittable
Brief Overview: Call out for stories and poems for an anthology celebrating the centenary of the end of WWI. Would particularly like to include something from each of the countries involved in WWI, not just the victors. Find more information here.
Word Count: 1000-2100
Payment: Royalties + 2 contributor copies of anthology
  • Weird Nature Anthology
Submit by: Submit by March 31st, 2018
Submission by: Email ( forceofnaturesubs@gmail.com )
Brief Overview:

Though our scientific knowledge has increased exponentially alongside technological development, there remains much about the natural world we still do not understand. Stories for Force of Nature should involve nature and the weird at their core; how the author wishes to interpret these themes is entirely up to them. Comedic stories will be a tougher sell but by all means, if you have a story that otherwise fits the guidelines, don’t hesitate to submit it. Try to avoid anything that is overtly cautionary. While the idea for the anthology was significantly inspired by climate change and the impact wrought on the planet by human habits, I don’t want stories that lecture. That said, I’m not opposed to stories in which the human factor gets served the short end of the stick.

While I don’t want a collection full of quiet stories, I will mention here that I am a big fan of the sublime. Wordsworth with a modern sensibility. Or just Wordsworth.

In terms of genre, I have no stipulations. Use a blank canvas and fit your story to the genus that suits it best. Full guidelines here.

Word Count: 2500-10000
Payment: $0.07/word up to 7000 words, $0.05/word for longer stories
  • Paper Dog Press: The Internet is Where Robots Live Now
Submit by: April 1st 2018
Submission by: Email ( paperdogbooks@gmail.com )
Brief Overview: We're looking for works of short speculative fiction that consider the future of the internet, artificial intelligence, the mind, and robots. Give us your optimistic, fantastic, bittersweet stories of fantasy and science fiction. Please, no YA dystopian, robots will destroy the world, high fantasy tropes. Take a more original and nuanced view on the subject. No multiple submissions. No simultaneous submissions. No reprints. Full guidelines here.
Word Count: 1500-5000
Payment: $0.06/word

Tuesday, February 6, 2018

Writing Flash Fiction!

by G Dean Manuel

What is Flash Fiction?


Flash fiction goes by many names and encompasses many different styles. There is the ever popular 6-word story that clog up group feeds. The 140 characters story/twitterature that goes on, you guessed it, Twitter. Though, now that Twitter allows 280 characters, those stories have doubled in size. There is the minisage, also known as the dribble, that is contained in 50 words or less. Who could forget the drabble or microfiction? These stories are comprised of 100 words or less. Finally we have the heavyweights of the flash fiction world: sudden fiction/immediate fiction/short-shorts (750 words), flash fiction(1000 words), nano-tale, and micro-story.

But what does that mean?

Well, flash fiction is a story contained within 1500 words or less. That means it has a beginning, middle, and end. It isn't just an excerpt of a bigger piece. It isn't just a scene that you made. Flash fiction is a completely self-contained story.

Why Write Flash Fiction?


There are many reasons to write flash fiction. It helps you become a better writer. In today's market, flash ficiton stories are becoming more and more popular, so there is a good market for your stories. Flash fiction is quick to write, edit, and read.

How does a flash ficiton story help you become a better writer? To begin with, it helps your writing become more concise. Flash fiction doesn't leave room for flabby sentences. Everything sentence must be a Venice Beach weightlifter. With each piece you are flexing fiction muscles you didn't know you had. Suddenly, you are doing things like using stronger nouns and verbs unconciously. Secondly, it is a great confidence boost. Don't underestimate the power of a finsihed story on your confidence. Flash fiction is a great springboard to motivate you to finishing up bigger works of fiction.

Flash fiction isn't just for practice though. There are many magazines and online journals that deal in flash fiction. One of the biggest, Flash Fiction Online, deals exclusively in flash fiction. (As if you couldn't tell be the title!) That means your work can get out there! This is important for any author trying to build a platform.

It is quick to write, edit, and read. This is another important aspect to flash fiction. In this day and age of quick consumption, flash fiction can be your introduction to an audience that will be slavering to consume more of your lengthier word count stories. Because of its shorter format, it is more likely to be read. Also, when connecting to other authors, a flash fiction piece is more likely to be critiqued over a longer work. This can help you forge connections that you otherwise wouldn't have working solely on your novel length work.

How Do I Write Flash Ficiton?


"Brevity is the soul of wit." Nothing shows that truer than a piece of flash fiction. But why does it have to be so hard? Like any writing, there are no tried and true formulas that will grant you success automatically. But I can give you a few tips that may increase your chances!

Start in the middle of the story: Unlike types of fiction with meatier word counts, flash fiction can't have much set up. It is better to start your story inside the action and reserve your word count for pushing the story forward instead of infodumping.

Show rather than tell: I know we say this all the time but we don't often follow this rule. In flash fiction this rule is very important! Everything must economical, so things like descriptions of characters or setting must be done in action. That way you are going to get more bang per word!

Take out all unneccesary words: Once you begin writing, you will find that 1000 words isn't that much. You must treat each paragraph as if it is a tweet. Take out all the filler and leave yourself with a boiled down sentence that is concise and impactful.

Adjectives and adverbs are the enemy: Use stronger nouns and verbs in place of adjectives and adverbs. This is another rule that we ignore in bigger fiction but is absolutely imperative in flash fiction.

Don't use too many scenes: Honestly, you should probably only have one. Two at the most. Otherwise your narrative will be too diluted.

Not too many characters, either: Beyond the MC, there shouldn't be a host of characters to introduce. Otherwise, you will be spending your word count on introducing characters and not have much left for your story.

POV matters: Most flash fiction should be done in first person or third person limited. This will narrow the lens of focus to inside your MC's head, conserving your word count.

End in the middle: Don't put the resolution of your plot at the end. Put it in the middle, giving the reader time to contemplate its impact before the story finishes.

Don't overreach with your idea: You can't have a story that is too BIG. An epic quest to destroy a ring for the survival of your world is too much to write in 1000 words. But a story of a hero facing the fact that he won't survive the battle with the Big Bad can be done.

Don't forget that your character should grow: Just because you are limited in word count doesn't mean that your characters shouldn't grow. Don't forget to put in a character arc to develop your character!

Just say no to subplots: One conflict, focus on it!

Take these tips to heart and you may end up with quite a piece of short fiction!

Where Do You Go From Here?


Well, hopefully writing! I want to stress something to you before you go. Flash fiction isn't just practice writing. It is an art form in and of itself. If you think it is easy, I challenge you to write some. Then send it in to Flash Fiction Online. See how quickly slapping 1000 words on a page without true respect for this literary form will get you rejected!

To all those who are interested in trying this form, have fun! At the beginning, it will seem daunting but with practice it becomes less so.

G Dean Manuel is a multi-genre writer and helper of people. If you would like to know more about G Dean Manuel, click here.

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