Showing posts with label antagonists. Show all posts
Showing posts with label antagonists. Show all posts

Tuesday, February 27, 2018

Not Your Daddy's Undead! (Possibly Your Great-great-great-granddaddy's Undead!)


by G Dean Manuel


Have you noticed that only some undead beasts are ever represented in any meaningful way? Vampires, of course. You can't spit without hitting someone writing a vampire story. Zombies are popular. But what about variety? Shouldn't we see more undead than the few that are represented on the big screen or the pages of a book? Here are a few that I think we should give a resurgence to:




  • Banshee- the wailing woman. A banshee's keening denotes the death of a family member. Several banshees keening foretells the death of someone particularly important or holy. A banshee's wailing can also warn that death is likely from a current endeavor.

    Why are these creatures feared? They warn us against bad happenings. Now modern retellings say that hearing a banshee's keening leads to death. Older tales don't support this. Banshees, while called fairy, banshee literally meaning “woman of the fairy mound”, are not technically fairies. They are the ghosts of women who have: a.) died in childbirth b.) have been murdered. Some banshees have been known to attach themselves to family lines, particularly those of Milesian stock (those whose names begin with O' or Mac'). Here are some ideas for stories with banshees:

    You have never seen your family banshee in such a state. Something has made it go absolutely bonkers. It didn't even act this way when Gran died.

    You are visited nightly by a woman that looks upon you sadly and wails such a heartbreaking tune. You know that she is trying to warn you about something but you can't for the life of you figure out what.

    You must gather up the sisters for a most hated duty. The Bishop has died. You and your sisters must keen his lament. But one refuses to go. A dark secret is revealed.




  • Dullahan- is a headless horseman! And you thought it was just a story by Washington Irving. Dullahans are members of the Unseelie Court. In fact, they were created by the court. They are either human or fey sacrifice. Heads are lopped off by golden ax and through rituals turned into a Dullahan. Such creatures typically ride a black horse and are followed by a wagon filled with accouterments of death. Their heads are said to be the consistency and color of moldy cheese and bear a ghastly, idiotic grin from one side to the other. They hold them under one arm, with mouths constantly working and eyes continually searching the night.

    It is said that there is no way to bar a road against a Dullahan and wherever a Dullahan stops, someone will die. Usually, they stop and say a person's name and that person drops dead on the spot. Here are some story ideas that include Dullahan:

    What if a Dullahan kills a person only to find out it killed the wrong person? Crazy antics ensue as they try to rectify their mistake!

    An opportunistic mage is using a Dullahan as an unwitting assassin. Altering its assignments and giving it names of people that he would like dead.

    A woman is visited by a Dullahan. She breaks down and tears and thanks him. He doesn't know what to do.


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  • Lich- A lich is a creature of such indomitable will that its life continued on to undeath. A lich can be almost anyone in life but is normally a person of arcane power. Sorcerers and warlocks. Through arcane rituals or demonic deals, they beat death itself and live on as a lich. Liches are commonly seen as commanders of hordes of undead minions. As such they make a great antagonist for stories! What are some ideas?


    A young man finds a broach in an open-aired market while on a trip to Dubai. He intends to give it to his girlfriend as a gift. Unknown to him, it is actually a lich's phylactery (a receptacle for the lich's lifeforce). The lich will stop at nothing to recover the phylactery.

    Does a lich always have to be mad? I say no. A family suffers from a terrifying curse that is passed upon the death of one cursed to the youngest living relative. To stop the curse, one member becomes a lich, so that there is no true death.

    An ancient evil arises in the land and the only person with information needed to stop the creature is the man who was around the last time he was here but he may be just as evil as it. The MC must deal with a lich to find out how to defeat the ancient evil.




  • Wights- or revenant. Or a host of other creatures. From the draugir of Norse mythology to the barrow wights of the English myths, these are creatures of fascinating legends and dark curses. A wight is a creature brought back from death to fulfill some action. Be that to guard a barrow or tomb, to hunt down a murderer, etc... These creatures are undead killing machines. Don't get these confused with ghouls or other undead, that hunt humans for sustenance. Wights don't require sustenance. They are driven by an unholy need to fulfill their goal. They have wide and varied looks, but most are the desiccated corpse of once living, reanimated flesh. Barrow-wights might come with old armor and weapons. Here are some story ideas:

    Using the revenant aspect, the returned, the undead returns to seek vengeance upon those who killed it and its son.

    A barrow wight guards the tomb of its once-beloved lord through eternity. Can bonds of duty and love hold against the inexorable trudge of time?




  • Black Dog- Legends of black dogs originated in the British Isles. These dogs are described as spectral or demonic, larger than a normal dog, and having glowing eyes. They are almost always thought of as harbingers of death, even when they are thought of benevolently. This could be due to the fact that dogs have been seen as guardians of the Underworld for some time. Look at the different depictions of dog-like beings in such a position: Anubis(Egyptian), Gramr(Norse), and Cerberus(Greek. Sometimes they are associated with the Devil.


    You can find them in a modern day setting on Supernatural, where they are called either black dogs or hellhounds. Here they work directly for Hell and come to collect souls from those who have made demon deals. In this instance, they are invisible unless you are being hunted or you have magical means with which to view them.

    You can find them in literature in The Hound of the Baskervilles. Spoilers ahead. Now, while the hound in question was not a black dog, Doyle made use of the legend in the setting up of the murder.

    So, what can we do to revitalize the black dog?

    Well, you could use a black dog in a humorous way. They were known as familiars to witches and warlocks. What if a young witch had a pony-sized black dog as her familiar? Called him Fluffy?

    How about black dogs as part of an Underworld Spirit Retrieval Unit? That could be fun.They track down rogue spirits that have found ways to escape the Underworld and seek to bring them back into custody.

    What about a black dog as a central figure? What if, for the purpose of the storyline, is the spirit of a dog that died after some form of torment or abuse. The black dog is sent to collect the soul of someone who it once knew. One of its abusers. But when there, it sees the abuser's son who had been its only friend on the mortal plane. Decides to befriend the boy and break the cycle that got it trapped into an eternity of collecting souls for the Underworld.


Are there undead that you think should be on this list? Leave a comment and tell me and maybe I'll write them up in a future article!

Tuesday, January 23, 2018

Should I be part of a writing group?

So, you went on Facebook and joined a writers' group! Yippee! You think to yourself this is going to be great, an open resource to assist you when you are stuck on something. Other people who have the same passion you do. Nothing couldn't be better, this group is going to be magical.
Then you have to swallow your disappointment when it is nothing like that. Most writers' groups drown under a flood of silly and pointless posts. Write X story in X number of words. If you can get past that then you can realize that most groups are ticking time-bombs that repeatedly explode in a rash of internet violence (I'd love to give these people a sarcastic slow clap for being such wastes of space that devote time and energy to fighting each other in such an ineffectual manner) where two main groups antagonize one another: The Social Justice Warrior and the Asshat Trolls. This struggle of two divergent groups waging war against one another will rage on long after we are dust in the wind. Now if you can't tell who is who, that is pretty normal. They are virtually indistinguishable.
Well, if you haven't been chased away or are lucky enough to find a group that is devoid of such antics, sadly, you aren't in the clear. You scroll down your group's wall and find posts like what music do you listen to? What author influenced you to write? Where is everyone from? I call these distraction posts. Time wasters. You might say, well, I can ignore these. True, you can. Truly, that is great if you ignore their lure but they aren't just spiderwebs of wasted time waiting for unexpecting attention to ensnare. They are more insidious. These posts end up garnering attention and because of the way Facebook's analytics work, these posts actually bury other posts. Sadly, most people that join a writers' group are not, in fact, writers. They are just time-wasters. And they love posts like this. Not just posting them, they love commenting. So, these posts make it to everyone's walls and the post by Little Mary Author doesn't make it to anyone's wall.
There are hundreds of other little things that detract from the integrity of a writers' group. People posting random works with no desire to have anyone do anything but congratulate them. Posting of social media links, like for like or follow for follow. Etcetera.
Okay, so you shopped around and found a group that has a tight stricture against time-wasting posts, they only have a small population of SJW and asshats (you'll never get rid of all of them), and seem generally nice people. There can't be anything wrong, can there?
No, not if what you want is to be in a community of writers and use them as a resource to ask questions. Then you, my friend, are golden. If you'd like to better your craft and expand your experience in writing, then you are barking up the wrong tree. In my experience, these groups are great if you'd like to talk to like-minded people and maybe get a few questions answered. Beyond that, writing groups start to fall apart. You are most likely not going to get a rousing conversation about the pros and cons of the anti-hero.
That's what you are looking for? Well, then you are going to have to go searching. Like you will have to parse through many groups to get to a golden egg. Or you can start your own group. That does require a lot of time and energy. Here will be the problems you face going forward trying to find or create said group:
  1. Writers have real lives. Writers are fathers, mothers, brothers, sisters, sons, and daughters. Means life gets in the way. Most will not post as much as you want them to...
  2. Writers are flaky. Writers come from all walks of life and my experience, many are flaky. Comes from being a dreamer.
  3. Being active in social media is time-consuming. We've all been on Facebook. Enough said.
  4. (If you create your own group) You will have to become a combination of warden, teacher, student, and writer. That's a lot of hats to wear. You will find much more in your tenure as a group admin.
  5. Being a group admin is a thankless existence. Don't expect anyone to appreciate your efforts.

Does all this mean that you shouldn't even try to be part of a writers' group? Shrug. I can't answer that for you, you will have to make up your mind for yourself. Bear in mind that I've mainly listed the cons of joining writer groups. There are good points, too. Author's Tale puts on a yearly anthology. Scribblers Writing Organization puts together a magazine called Blood Puddles. Those are just to name a couple. In the end, you will have to weigh the pros and cons and see if being part of a writing group is worth your time.

Tuesday, January 9, 2018

Crafting a Story Part FIVE (Crafting a Great Antagonist Part B)

Powers


I'm not going to spend a great deal of time on this section as a villain's powers will be similar in their creation to a hero's powers. That being said, there are things you want to avoid when making a villain's powers. Avoid making overpowered villains! Let's talk examples:
Marc has created his villain ReallyEvilDude to face off against his protagonist TheGoodGuy. When choosing powers for his villain, he decides that he should have the power UnstoppableWorldEnder5. To counter such a power, TheGoodGuy must be given the power DeuxExMachina but through the use of such a power is able to end the threat of ReallyEvilDude and his ultimate power. World saved!
Why is that a bad thing, you ask? It is lazy writing. Anything that you have to cheat to defeat as the writer, is lazy writing. A villain should be balanced and concievably beatable. The heroes should struggle against their foe but in the end, they should reasonably find a way to defeat their foe through their own agency. That's right, a hero should be able to defeat a foe without outside intervention. Now, like any rule, this isn't set in stone but most dramatic stories are ruined when, even though the hero struggled through his heroic quest, in the end someone else had to save him from the Big Bad at the end. It leaves a reader unfulfilled.

Relatable


A good rule of thumb for any antagonist is that they should be relatable. What does that mean? A reader should be able to connect to an antagonist at some level. A parent who lost a thier child and watched the murderer go free because of the negligence of the court system who then targets the very officials that let the murderer walk free is a relatable character. We can empathize with what the character is going through and, while we may not condone such actions, we can see where the character would end up taking up the mantle of villainy.
But why make your antagonist relatable? They are the villain! Because it gives your story depth. When you don't feel for the person fighting your protagonist there is no tension. Evil dragon eats princesses and hero must stop him. Boring. Overdone. But what if the Mr. Evil Dragon was once a peaceful creature that sought to preserve the natural world? But through the continued depradations of the humans of blah kingdom, the dragon had to watch everything it tried to protect be destroyed. So, it kidnaps the princess to make the humans stop their actions and take notice of the destruction that they are letting happen. Suddenly, the dragon isn't the horrible, unredeemable evil that he was in the first plot line. It isn't just some ravening monster doing evil for evil's sake. Through a couple of lines of backstory, we've given it a soul. Suddenly, it is something that gives the readers pause when the protagonists finally confront it.

Last Thoughts on Antagonists





Okay, for anything else that I've left out, it will be the same as when you crafted your protagonist. Just refer to that post for further instructions. In the end, when you craft any character, your number one goal is to make it believable within the context of your narrative.A believable, well-developed character will enhance the quality of your storytelling. No person, ever, has said that the characters were too well-crafted and relatable...

Monday, December 4, 2017

Crafting a Story part Four (Making a Great Antagonist, Part A)

     So, we've got our protagonists and are ready to write our story. Or are we? If you have crafted a great protagonist, it is only fitting that you now make an antagonist that will challenge our newly minted protagonist. So, what goes into making an awesome antagonist that will give your hero a run for their money?


Archetypes: The Villain Edition


Remember when we were crafting our heroes and talked about archetypes? Well, there are archetypes that fit in the scope of your antagonist.
  • The Ruler - Who doesn't love a despotic ruler? For them power isn't just a thing, it is the ONLY thing. This is the type of villain that loves to grind his opposition under his bootheel but more than likely does it through other agencies rather than himself. Examples include King Joffrey of GOT, Ming the Merciless of Flash Gordan, and Sebastian Shaw of X-men.
  • The Temptress - The Temptress can be the ultimate spy or assassin. This is a female dominated archetype but that doesn't mean that there aren't men that are Temptresses. This archetype focuses on subterfuge and manipulation rather than brute force. Examples include The Evil Queen from Snow White, Emperor Palpatine from Star Wars, The Enchantress from Thor.
  • The Trickster - This is another archetype that depends on trickery and manipulation rather than brute force. While the Temptress relies on sex appeal and charm, the Trickster is an archetype of traps and plans. Examples include The Riddler from Batman, Sweet from Buffy the Vampire Slayer (Demon summoned during the episode "Once More with Feeling"), and Loki from the MCU.
  • The Fanatic - This archetype is the least likely to be swayed by arguments from the protagonist. This is the archetype of the believer that knows their actions are for the greater good and is willing to go any distance to achieve their goal. Many serial killers fall under this archetype. Examples include John Doe from Se7en, Ra's al Ghul from Arrow, and the Operative from the movie Serenity.
  • The Betrayer - Also known as the Heretic or the Traitor, this is the archetype that betrays their faith and ideals. They now fight against those things they hold dear. Examples include Horus from Warhammer 40k, Darth Vader of Star Wars, and the Warlock Lord from the Shannara Chronicles.
  • The Beast - This is the monster archetype, one of unending hunger and rage. This is one of the simplest archetypes to write as it is usually limited in intelligence. Examples include Doomsday from Superman, Moby Dick from the book of the same name, and the Balrog from Lord of the Rings.
  • The Mastermind - The planner or plotter. Usually, in control of several minor antagonists, he uses them to execute his plan to gain his goal. Examples include Captain Cold from Flash, Moriarty from Sherlock Holmes, and Keyser Soze from the Usual Suspects.
  • The Corrupted - The once good fallen into the role of villain. This could have many catalysts. Disillusionment. Mind-control. The list goes on. Examples include Harvey Dent from Batman, Macbeth from Macbeth, and Saruman from Lord of the Rings.
  • The Dark Knight - These are characters that believe they are heroes. They take a very extremist view of the vigilantism they may perform and are usually willing to kill for what they believe in. Most will adhere to a strict moral code that only they truly understand. Examples include Col. Nathan Jessup from A Few Good Men, Vigilante from Arrow, and Ozymandias from the Watchmen.
  • The Devil - This archetype is for those that are the personification of evil. Dark gods, demons, etc... Examples include Pennywise the Clown from IT, Lucifer from Supernatural, and Wednesday from American Gods.
  • The Mercenary - This is a person whose sole motivation is to be paid. Their services are to the highest bidder and so sometimes they can be defeated without bloodshed. Examples include Bullseye from Daredevil, Deathstroke from New Teen Titans, and Boba Fett from Star Wars.
  • The Minion - These are the characters that are servitors of some Dark Lord. Examples include The Terminator, Xenomorphs from Alien, and Ronan the Accuser of Guardians of the Galaxy.

The Catalyst


This is a part of the antagonist creation that you do not necessarily share with the readers. The catalyst is the event that made the antagonist a villain. So, why is this important, especially if you aren't going to share this information with the reader?
The catalyst is something that informs every action of your antagonists. Magneto does what he does because of the concentration camps of Nazi-occupied Poland. His catalyst shows in every single one of his actions. And remember, just because you don't immediately share an antagonist catalyst, doesn't mean you won't. Down the road, if you do share the catalyst, you will be glad that you thought of it at the beginning to keep the character more consistent.
What goes into a good catalyst, though? Well, here are several types of catalysts that will help shape your antagonist:
  • Tragedy - One of the most basic types of catalysts, such an event can make a villain of even the best person. Mostly this catalyst is instigated by the death of a loved one.
  • Abused - The antagonist was abused in some way and that turned them down the dark path of villainy.
  • Corruption - This catalyst is the whispered word within a character's ear. Too late, the character finds out that he has gone down a dark and unredeemable path.
  • Mind-controlled - This villain finds themselves under the direct control of another. This could be from an object, event, or person.
  • Indebted - The antagonist finds themselves owing someone a debt that they cannot get out. This is a common theme in Supernatural.
  • Born to Evil - Maybe one of the simplest catalysts, the antagonist was born evil.
  • Fulfilling a Need - This is a catalyst that is very tricky because your antagonist is not necessarily dark, just desperate. Look at Mr. Freeze from Batman, his sole purpose is to find a way to revive and save his wife. Nothing else matters and he's willing to do whatever to accomplish his goals. But he doesn't do anything that isn't directly related to saving his wife.
Now, when you are crafting your villain's catalyst, usually the best ones are stories that we can empathize with. What makes Magneto such a great villain is that we immediately understand why he is doing the things he does. We can see ourselves in his actions and, at some deep level, this frightens us because the line between good and evil is much thinner than we ever imagined. That is something you should strive to do with your antagonist, make them a dark mirror that shows us ourselves.
Avoid being a villain apologist when writing these catalysts and eventually backstories. Such stories are given resonance when it is a decision that is fully in the antagonist's hands that leads them down the dark path. Remember that these are catalysts, they are the events that made a character a villain and are not necessarily something that is still happening. A mind-controlled antagonist could have broken the mind-control but decided that he liked feeling powerful as only he could when he is a villain.

Eventually, every villain must be given the responsibility of their actions.

Confidence, Fair Writer!

I have three stories published. One novella. I have a blog that gets a mediocre fan base. Nothing too wild. And I have folders on my comput...